‘ We Make Money Not Art’ is een weblog dat gaat over toegepaste mediakunst en techniek.
De titel zegt veel de inhoud van het weblog.
Kunstinstallaties en vele toepassingen die hiermee te maken hebben gaan niet over het 'autonome van de kunstenaar.
Kunstzinnige toepassingen van media en techniek die de toekomst verkennen in het communiceren in de publieke ruimte.
Kunst en Techniek zal een rol kunnen spelen in het ontwerpen van de toekomstige publieke ruimte. Vooruitlopen.
Dit weblog gaat over Kunst en Techniek toepassingen en experimenten.
http://www.we-make-money-not-art.com/
We Make Money Not Art weblog wordt gemaakt door:
Régine Debatty (BE/DE) studied Classics in Belgium and England, worked as a teacher of Latin and ancient Greek, then moved to media, working as a documentary director for the Belgian national TV, as a reporter for the radio Onda Cero in Spain and as a consultant for the MEDIA programme of the European Commission in Italy.
She's now a a full-time blogger, a new media art consultant for festivals and art commissions and writes about the intersection between art, design and technology on we-make-money-not-art.com and contributes to design and art magazines such as Art Review (UK) and Front (NL). She also speaks at conferences and festivals about artists, hackers and interaction designers (mis)use of technology.
Selection of lectures: The 22nd Chaos Communication Congress, 22C3: Private Investigations, in Berlin. Design Engaged conference, Berlin. Triggered by RFID workshop at Mediamatic in Amsterdam. O'Reilly Emerging Technology Conference in San Diego. LIFT, Geneva. SONAR, Barcelona. Futuresonic, Manchester. Fabrica, Treviso. Conflux, New York. ITP, New York University. PicNic, Amsterdam.
Shin'ichi Konomi (JP) writes text that appears under the name Manekineko. He is a nomadic computer scientist with international and interdisciplinary experiences. He lives in Shimokitazawa, Tokyo and works as a research scientist at the University of Tokyo when he is not blogging.
Previously, he worked at Kyushu University and Kyoto University in Japan, Fraunhofer IPSI in Germany, and University of Colorado at Boulder in the US. He's also the editor of RFID in Japan
Sascha Pohflepp (DE) is a designer and artist who is currently based in Berlin, Germany. Ever since he was identified as a danger to his fellow students because of his Commodore C64, he has been nerdy about art and technology. His work has been recognized by SIGGRAPH, Bauhaus Weimar and shown internationally.
He studied at the Berlin University of the Arts' Digital Media Class, ENSAD Paris and graduated with Blinks & Buttons. He writes about his projects at Plugimi.
Peder Burgaard (DK) is currently studying for a master's degree in Information Science at the University of Aarhus, Denmark.
Along with his studies he has held a position as Gadgethunter and is now Director of Exhibitions at Innovation Lab, a think tank and consultancy business helping companies integrate new technologies into their work routines. Peder is responsible for the exhibitions at the four annual conferences and acquiring new prototypes for their Demo Lab.
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